Linwood Barclay is a fantastic writer. He's known for his tremendous characters, intricate plotting and brilliant twists. He's earned the respect of readers, reviewers and other authors, and several of his books have been optioned for TV and film.
This book was clearly a project close to his heart. He grew up surrounded by car imagery courtesy of his late father, a skilled artist from the days when adverts featured drawings of vehicles, rather than photographs. He makes no secret of his love of cars and his sadness that transport of the future may be more soulless.
In the foreword to this book, he warns the reader that the premise of Look Both Ways is something of a departure for him, perhaps a little different to the thrillers that he usually writes.
Well, I for one didn't care. Because all the essential Barclay ingredients are present.


The book is set primarily on a small island off the coast of the US. The residents have agreed to take part in an experiment designed to showcase the future of transport; fully autonomous electric vehicles. All traditional fossil fuel cars have been removed from the island for one month and replaced with a fleet of self-driving electric vehicles called Arrivals. The cars communicate with one another, thus ensuring that accidents should be a thing of the past.
The story is largely told through the eyes of single mother Sandra Montrose and her two children. Her husband died after falling asleep at the wheel, and so she has more reason than most to push for a driverless future. Therefore, her small, local PR firm is delighted to land the contract for the press launch of the project.
The eyes of the world are on the island, but not everything is going to plan. A member of the press vanishes, and then there are the rumours of industrial sabotage...
Pretty soon the vehicles stop taking orders, and start to organise. The residents of the island are soon in their sights.


This is another perfectly-crafted Barclay novel. By focusing primarily on Sandra and her family, the reader is given some skin in the game, as carnage ensues. We also know very early on who the mastermind of the dastardly plot is and spend time with that character. But of course Barclay is a master of the plot twist, so there are red herrings and switchbacks and more mysteries come to the fore as the story unfolds.
The result is an exciting and thought-provoking novel. And whilst Barclay is a lover of traditional petrol cars, it isn't some middle-aged rant against a changing world. I can see it transferring very successfully to the screen.

​Definitely a recommended read.

What a cracking read! I picked this up as a freebie a few months ago, but it sat on my TBR pile for longer than it should. Simon Toyne is an author and TV producer - if you can find his series "Written In Blood" where he interviews crime fiction authors about real-life cases that have inspired his writing, I heartily recommend it.

In brief, a woman - one half of a 'perfect' couple - is brutally murdered in her own home, in a wealthy London suburb. Her body is found by the couple's cleaner, posed with a number of objects, including a copy of How To Process A Murder, by troubled criminologist, Laughton Rees. Her husband is missing.
DCI Tannahill Khan is assigned the case. What unfolds is an excellently crafted police procedural, with plenty of twists, turns and misdirections. Khan is a well-formed and sympathetic character, but arguably the principal character is Laughton Rees. She has a complex and tragic background, which led her to becoming an expert in the field of criminology, but which has left her reluctant to leave the theoretical comfort of academia and teaching to examine live cases. Unfortunately, the presence of her book at the scene means that she has little choice but to become involved.

What I like about this book, is that in addition to it being an excellent detective novel, is the well-layered and complex characters. They have a rich background that makes them compelling to read. Laughton's own tragic past, which has coloured her relationship with her daughter, brings emotional depth to the character. We also see glimpses through the killer's eyes. This not only adds depth to the narrative, but also ratchets up the tension, as we see him watching those who are trying to bring him to justice. It makes the characters feel more vulnerable.

The relationship between Khan and Rees grows and matures throughout the book, and by the end of the story I found myself hoping that the author chooses to visit them again in future.

Another highly recommended read. 

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If there's one thing more exciting than getting a parcel, it's getting an unexpected parcel. So I was thrilled a few weeks ago when I opened a mysterious package to find a proof copy of the latest DS Max Craigie novel, The Night Watch, sent to me by Neil Lancaster's publicist.
Now first of all, I want to remind you of the rules for this blog. I only recommend books that I've enjoyed, it doesn't matter if the author is a mate. The first two in the series have been top notch - and I'm delighted to tell you that this series just keeps on getting better.

This outing is a real whodunnit. The book kicks off with two murders; a recently released convict and a prominent defence solicitor. Pretty soon, Craigie's team are called in to oversee the investigation, since there are links to past events that might indicate corruption.
I'm not going to outline the plot here - read it for yourself and enjoy the ride. But as ever the central mystery is satisfying complex, there are some terrific action scenes and it packs an emotional punch.

Best of all, Craigie, his ever reliable sidekick Janey Calder, and gloriously foul-mouthed boss, Ross Fraser (and Nutmeg the cockapoo), are all back, on sparkling form, along with Barney their slightly dodgy covert surveillance technician and Norma their IT whizz.
This is the third go around the block for these characters, and it really shows. Lancaster writes them like old friends. The dialogue is pacy and confident, and laugh-out-loud funny at times. Lancaster is an ex-detective, and so the detail is spot on, whilst never being too onerous. Fans of the series will be delighted to find that all of the characters get their chance to shine, with genuine growth and development, but newcomers to the books are given everything they need to join in the fun.

Max, Ross and Janie are fast becoming one of my favourite crime teams.  The book isn't out until September, but I am already waiting impatiently for book 4.
Highly recommended!

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What a treat! Today's #RecommendedRead is The Botanist, M.W. Craven's latest Washington Poe and Tilly Bradshaw masterpiece. I've reviewed others in the series (The Curator and Dead Ground), but this time I was fortunate enough to get an early copy.
Yes I am being hyperbolic, but I don't care. I devoured it in 3 days and it is absolutely fantastic.
Washington Poe, former soldier, and now a detective working for the National Crime Agency, specialises in serial killers and the most fiendish of crimes, and in this book he is given a doozy. The Botanist is targeting high-profile victims, and they just can't figure out how the killer is getting to the targets. At the same time, Poe's friend, series-regular, pathologist Professor Estelle Doyle, is arrested for the murder of her father. ALL the evidence points towards her, but Poe and Tilly know that she can't possibly be guilty.
Poe hates locked room mysteries - but here he has two, and the stakes couldn't be higher, both personally and professionally.
Mike Craven has crafted an enviable series that ticks all the boxes. Central to the books is the wonderful pairing of Poe, and gifted analyst, Tilly Bradshaw. The chemistry of this mismatched duo is what sets them apart. Poe is taciturn, rude and technically inept, but he is a brilliant and tenacious detective who's never met a meat dish he doesn't love. Tilly is a technical genius, whose early cloistered upbringing amongst other intellectual giants, has left her with few social skills, and a wide-eyed naivete and forthright manner that is refreshing, toe-curlingly cringeworthy and laugh-out-loud hilarious. Much to Poe's disgust, she's also a vegetarian.
What's great is the way the author's own dry wit comes across in the narrative, and the book is full of quotable lines.
The fact is, that Craven could have given these two any investigation, and the books would have been popular and fun reads. But he hasn't. The investigations here are fiendishly clever, locked room mysteries. And the answers when they come are brilliant, but obvious when you look back and ignore the expertly placed misdirection.
What's especially impressive is the pacing. Despite two complex and detailed investigations, and the need for the series' trademark Tilly and Poe diversions off topic, the book gallops along. You get a huge amount for your money, yet the book feels neither rushed or overly long.
And on a personal note, as the title of the book suggests, the books rely on a degree of scientific expertise. Through the need for Tilly to explain everything to Poe, the readers are also kept in the loop, and it doesn't become burdensome. The science is a little out of my own area of biology, but as best I can tell is accurate and plausible. Craven has wisely taken advice from advisors such as fellow writer Brian Price, who he has credited in the acknowledgments.
All in all, the book is an excellently crafted novel, from a writer at the top of his (and anyone's) game.
If he wasn't such a nice bloke, and I didn't enjoy these books so much, I'd hate him!
The Botanist is out on June 2nd and is sure to be showered with accolades.
Have you had a chance to read The Botanist yet? Is it on your TBR pile? Feel free to comment here, or on social media.
Happy reading!
Paul

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Today's #RecommendedRead is the latest deliciously dark psychological thriller from Victoria Selman.
The copy I have was a freebee from CrimeFest, (it's not due out until July) and the moment I saw its beautifully designed, black cover, with its sealed, folding flap, I knew it would be my next read. 

Told in two time frames, it's narrated by a twelve-year-old girl, Sophie who moves, with her single mother, from Massachusetts to North London at the beginning of the 1980s. There they meet Matty Melgren, a charismatic Irishman who starts dating Sophie's mother. With no father figure, Sophie finds in Matty someone to fill that void in her life and soon she feels her family is complete.
But there is a serial killer stalking the streets of London, killing young women in a ritualistic manner, and so we see the investigation unfold during the book, and it gets steadily darker and darker.

The second time frame, interleaved with the first, is set twenty years later. Matty is now serving life without parole for the murders - crimes that he swears he is not guilty of. Sophie is wracked with guilt for not seeing him for what he was, yet is still plagued with doubts. What if the man she loved like a father is innocent after all? And then she receives a letter from him. He's dying and he asks to see her in prison...

This book is a masterclass in the slow reveal. The two threads are woven together seamlessly, each retaining their own separate feel and identity. 1980s London is interspersed with life twenty-odd years later. Matty's case remains an obsession to many, with numerous true crime documentaries and websites rehashing events; some believe he's guilty, others are convinced of his innocence.

Usually such books are divided into sections, with each timeline clearly labelled. But Selman hasn't done that here. The short chapters weave between the two times, but she maintains a distinctiveness between each period that means the reader is never in any doubt when the chapter is set. As the book unfolds, the reader is not quite sure if Matty is guilty. The evidence was enough to convict him in 1983, yet there is enough reasonable doubt that you can't be completely certain. 

The skill here is in the writing; the novel is an acutely observed study of uncertainty. We follow Sophie's story as she negotiates her early teenage years; then we see her as a grown woman, haunted by the events of two decades ago. Period details and references to current affairs keep the sections in the 1980s firmly grounded in that time period, whilst the contemporary sections supply a commentary on our modern obsession with serial killers from the past, and 'citizen detectives'.

The book builds to its climax slowly, yet never feels laboured, and you are immersed in the story. By keeping the book firmly in the first person throughout, you are only ever privy to what Sophie knows. But because it's set in two time periods, you find yourself scrutinising the earlier parts of the story with the benefit of hindsight. Fundamentally, the question you find yourself trying to answer, is whether Sophie was hoodwinked or not?

This was a fantastic read, and I highly recommend it.
As always, feel free to comment here or on social media.
Best wishes,
Paul

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Today's #RecommendedRead is from Louise Mangos. The Beaten Track is a compulsive tale of obsession, and how your past life can continue to follow you, even as you move forward.
It follows the tale of Sandrine, a young woman returning from a backpacking holiday around the world. The trip was a dream for her, yet it turned dark when she picked up a stalker, who eventually killed himself.
Things go from bad to worse when she is jilted by her holiday lover, before finding out she is pregnant. Eventually, she is forced to return home to Switzerland, penniless, pregnant and heartbroken.
Things finally seem to be going her way when she meets Scott. Handsome, wealthy and willing to take care of her and her baby, he seems like a dream come true. But her nightmare is only starting.

It's an old cliche, but writers are often advised to 'write what they know', and this is a case study in when that advice really works. Mangos travelled extensively when she was younger, and is currently living in Switzerland. This lends the book a descriptive authenticity that really lifts it.
Cleverly, Mangos sets the book in the late 1980s. Not only does this allow her to confidently use her own experiences and memories, it frees her from some of the constraints of telling a story set in today's connected world. With near universal mobile phone coverage in even the remotest parts of the world, and modern forensics available to the smallest of police forces, it would be difficult to keep the suspense if the book were set in the 21st century. In the hands of another author, this might feel contrived, but because Mangos is writing in part about her own, vividly remembered, experiences it works really well, and it feels natural and authentic.
A story such as this is crafted to keep the reader guessing. It's cleverly ambiguous in parts without ever feeling that the writer is being evasive. I made numerous predictions, some of which were right, others which were way off the mark. Because of that, I was eager to reach the end and be rewarded with the complete explanation.

I heartily recommend this book. 

Today's recommended read is plural: the two bestselling novels (so far) in Richard Osman's Thursday Murder Club series.
First let's deal with the hype, and the elephant in the room. Richard Osman is a popular UK TV presenter and producer. His first attempts at writing a book were snapped up for an eye-watering sum. Not unusual for a celebrity book. The first in the series The Thursday Murder Club justified his publisher's gamble with record-breaking sales. The follow-up, The Man Who Died Twice, broke records for pre-orders. Doubtless the as-yet-untitled third in the series will do similarly well.
Inevitably that evokes a degree of jealousy, with plenty of people willing to put the boot in solely on that basis. There are even those who go as far to say that "he should stick to his day job and leave writing to 'proper authors'."
Newsflash: Most 'proper authors' have or had day jobs; his is just a little more high-profile than most.
So why have I recommended them? It's not like he needs me to bang the drum for him. I recommend these books for the same reason I recommend any book on this blog - I really enjoyed them! Genuinely, they were tremendous fun and very well written. I know a thing or two about writing books, and Osman can hold his head high. Ignoring the numbers and hype, I would have been very happy if I wrote these stories.

For those that don't know, the books centre around a group of elderly folks living in a residential complex of retirement homes. To keep themselves entertained, they spend their Thursday afternoons looking into cold cases - hence the name of the series.
I'll skip over the plots for the books - you can get that from the jacket blurb. Suffice to say, the books are really fun whodunnits. The stories are contemporary, set in modern times, and lean more towards cosy and fun, rather than gritty and procedural. That's fine by me, they are a refreshing change from what I typically write and read.
These are good, fun crime stories that stand on their own merits. But what really makes them better than a lot of half-hearted, ghost-written celebrity cash-ins, is that he wrote the books himself (off his own back, without a deal in place) and that he has really put the effort in.
The cast of characters are wonderfully drawn. Each of them has their own story and part to play. In some ways he channels the wonderful joie de vivre of Last Of The Summer Wine, with seniors behaving badly. But he doesn't veer into farce - there are no elderly men in bathtubs going down a hillside to a canned laughter track. Instead, it is a celebration of people making the most of their last few years.
The book is laugh-out-loud in parts, as one would expect from Osman, and also poignant. He doesn't steer clear of the fact that these are older people, who are having to face the trials and challenges that brings, including the inexorable loss of companions.
The sequel builds on this strong start, with each of the central cast being given their own chance to star, and an expansion of the secondary characters that return from the first. It also continues to tackle emotive issues, and the emotional and physical impact of a violent attack on one of the heroes is dealt with sensitively and realistically.
Osman uses a couple of different devices to tell his stories. One, using snippets from the diary of one of his characters to fill in narrative gaps works really well, but it isn't over-used.
The third in the series is due out this year, and I will definitely be buying it.
These books are well-deserved #RecommendedReads.

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I admit it, I'm pretty late to the party for this one, pardon the pun.
I first encountered Michael Connelly's detective Renee Ballard when she crossed paths with the long-established Harry Bosch in Dark Sacred Night.
For some reason, I hadn't quite twigged that this was her second outing. The Late Show introduces this fascinating new character, and is entirely her own show (pardon another pun).
The premise is somewhat different to his other books. Ballard is a member of the late show - the night shift. The LAPD cops who pick up everything that happens when the regular detectives have ended for the day. They get the ball rolling on investigations, but often hand them over to other divisions, such as Robbery Homicide or burglary. They rarely close cases, or see them through to the end. This suits Ballard's partner just fine, but frustrates her.
The late show is something of a punishment duty - Ballard was banished to it because of a betrayal that we learn more about over the course of the book.
For those used to a more 'traditional' detective story, that opens with the big crime that needs solving and then follows the investigation, the initial pace may seem slow. Stick with it. Connelly is setting the scene as we follow Ballard through her shift, dealing with everything from the theft of a credit card to a brutal assault and a multiple murder. I really enjoyed it for a change, and buried within there are the seeds of the tale that will follow.
The book is ultimately a very satisfying story, with a coherent but slightly unusual structure. More importantly, it introduces us to the character that will, I suspect, one day take the torch from Harry Bosch.
Ballard is based on a real-life LAPD detective that Connelly is keen to acknowledge publicly. Tough and somewhat brittle after her betrayal, she is a fascinating character. Brought up in Hawaii, she lives her life in a camper van bedecked with her beloved paddleboards, and sleeps in a tent on the beach during the day, accompanied by her loyal rescue dog, Lola.
Renee Ballard is a great character who works well with Harry Bosch, but I highly recommend this book as an introduction to her as a fully-fledged individual. Will she one day shoulder Harry's mantle? Only Michael Connelly knows, but if she does, this book marks her as a worthy successor.

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A few months ago, I recommended M.W. Craven's third entry in his Washington Poe series, The Curator. I said at the time that the reason I was posting the review so long after it had been published, was because I had forced myself to ration the pleasure - deferred gratification if you will.
This time I managed to force myself to ask for it for Christmas, rather than going out to buy it immediately, but as soon as the jolly, bearded fat bloke delivered it, I succumbed.
In this latest instalment, Sergeant Washington Poe and his brilliantly quirky side-kick, Tilly Bradshaw, are called to look into what appears to be a fairly mundane murder in a brothel. As members of the National Crime Agency specialising in serial murders and more unusual crimes, this doesn't fit their usual remit. But their presence has been requested especially, by the sort of folks that like to keep things quiet.
Pretty soon it becomes apparent that the case is anything but routine. A highly-vetted victim doing a sensitive job, a strange ceramic rat left at the scene, and links to a peculiar bank heist three years previously all add up to a baffling investigation. For this, Craven draws on his own personal experiences, which lends the writing authenticity and the motives when they are revealed are clearly very important to him.
The mystery at the heart of this story would be a fantastic page-turner regardless, but what garners the books such acclaim is the wonderful relationship between Poe and Tilly, and Craven's witty and often hilarious prose. This isn't a comedy caper by any stretch, it's a serious crime thriller, but one that still makes you laugh out loud.
Fans of the series will be delighted that previous story threads are continued, with ongoing repercussions from events that happened in previous novels, but newcomers will easily slip into the book with no problem. That being said, as I recommended in the review for The Curator, do yourself a favour and start at the beginning with The Puppet Show and Black Summer - the series as a whole is a joy and you won't regret spending time getting to know the characters from the start of their journey.
This one comes heartily recommended, and was a cracking start to 2022.