Buy from Amazon.
Buy from Bookshop.org and support independent sellers.

This book is an absolute blinder. The first six pages of the paperback's front filler are testimonials from fellow writers and the media, and I can well imagine the publishers having to trim that list down. It really is that good, and is well-deserving of The Theakston Old Peculier Crime Novel of the Year award that it nabbed in 2020 and the many other awards that it has won or been shortlisted for.
The premise is ingenious:
Rachel O'Neil receives an anonymous phone call. They have her daughter and if she doesn't follow their exact instructions, she will be killed. The kidnapper's own child has also been snatched and the only way that their kid will be returned safely to them is for Rachel to choose and then kidnap another child, whose parents need to follow her exact instructions... It's not about the money, it's about maintaining The Chain.

I love a story where an ordinary person is forced by circumstance to perform extraordinary acts; Harlan Coben's standalone novels are excellent examples of this.
However, an excellent premise is nothing if it isn't executed properly, and this is where McKinty has excelled. Doubtless there will be many suspiciously similar books published over the coming years - especially if the movie comes to fruition. Many good writers are quite capable of taking such a strong idea and making a solid and enjoyable thriller. But McKinty has taken his time and carefully crafted a masterpiece.

McKinty's prose is descriptive and skilled and the chapters are short and punchy, keeping the pace brisk without ever feeling rushed. The chapters switch between several different points of view, perspectives and even timelines, but are populated by characters distinctive enough that it the reader is easily pulled into their world. McKinty is also not afraid to occasionally foreshadow events, so that the reader knows more than the protagonists. This can be tricky to pull off - get it wrong and the characters can come across as foolish; instead, the reader finds themselves racing through the pages, desperate to see what happens.

I've already alluded to the great Harlan Coben, and I feel that even he would be extremely pleased with this effort. And if you've ever seen my bookcases, you'll know that is high praise indeed.
I very highly recommend this book!

Today is another double bill!

Steve Cavanagh's Eddie Flynn series is fast becoming one of my 'can't miss' reads, and these two latest entries have raised the already high bar he set with his previous books even more. The books have won numerous awards and are quite rightly bestsellers.

For those unfamiliar with the set-up, Flynn is a New York-based con-artist turned defence lawyer. He only represents those that he knows are innocent; unfortunately his shady past and successful reputation have sometimes made him the 'go to advocate' for some decidedly unsavoury characters, who will make him an 'offer he cannot refuse', leaving Flynn with the unenviable task of trying to balance his own, ethical standards with the demands of his employers.

The books are legal thrillers in the vein of Michael Connelly's Micky Haller (Lincoln Lawyer) series, with a mixture of courtroom drama and outside thrills. Both aspects of the story are equally exciting. Remarkably, Cavanagh is a Belfast-born lawyer in real-life, who has never practised in the state of New York, yet his stories are filled with authentic detail and procedure, often with a very clever twist that demonstrates his deep understanding of the NY legal system.

The series started with a bang in 2015's The Defence and a very tasty short story The Cross, before continuing with The Plea and The Liar.
The subjects of this post are the two latest, Thirteen and Fifty-Fifty.

Thirteen has, in my opinion, the most gripping tag-line in recent years.
'The serial killer isn't on trial. He's on the jury.'
I mean, seriously, how can you not pick that off the shelf?
The premise for the book is summed up in that tag-line. The question, of course, is why? Why is he so desperate to get onto that jury? The serial killer is named on the novel's jacket blurb - an audacious move that tells you immediately that you can trust nothing in this book. Of course, Eddie Flynn doesn't take what he is presented with at first glance, and whilst the reader is shown glimpses of the killer that Flynn is not privvy to, you are chasing clues alongside Flynn throughout the book.

Fifty-Fifty is another high-concept thriller, that lives up to the standard set by the previous book. The book opens in characteristic style - full-on, straight into the action, setting up the premise immediately. No slow-burn here!
A man has been murdered in his own home. The 911 dispatch operator is called by a terrified young woman who claims that the killer is still in the house and the murderer is her sister. Moments later another call is received. Same house, same murder, different sister - and she's pointing the finger at the sibling who made the first call...
It's a high-profile case and when both are charged, Flynn fights for the right to represent the sister that he is convinced is innocent. The other sister is represented by a young, inexperienced lawyer, and she is equally convinced of her client's innocence.
As in Thirteen, we are shown extensive glimpses of the killer covering their tracks. But again, Cavanagh skilfully hides their identity. As the story unfolded, I found myself convinced that I knew who the killer must be - before having my mind changed. Repeatedly. The book is a masterclass in plotting and the art of the precisely placed reveal, and most importantly - a thumping good read!

I can't recommend these two books highly enough. And whilst I've known Steve personally for several years, as always his books are featured here on their own (considerable) merits.

 Time for another double bill!

Today it is the turn of Alex North. Full disclosure - despite what the marketing for The Whisper Man may lead you to believe, Alex North is not, strictly-speaking, a new writer. And that was not his debut novel. A touch naughty perhaps, but when you write this well it can be forgiven. North already had a successful career, writing some excellent stand-alones, each with a terrific premise. I've known him for a number of years, enjoying those previous works, and he'd be a recommended read regardless. North's real identity is an open secret within the crime writing community but I'll respect his privacy and refer to him by his pseudonym.

Before I get into the reviews though, let's just take a moment to appreciate those amazing covers! I splashed out on the hardbacks, which are embossed, and they look absolutely lovely on the bookshelf.

North writes  standalone thrillers. A hallmark of these, and his previous works, are a really clever premise, populated by beautifully-realised characters and a deep understanding of the psychology and motivations behind both protagonists and antagonists. Both of these novels could be categorised as psychological suspense, with an element of the supernatural* - real or imagined - but at the heart of each is a damned good mystery.

In The Whisper Man, Tom Kennedy and his young son move to a new area for a fresh start after the death of his wife, Jake's mother. Fifteen years before they arrived, a serial killer murdered five children. The killer was caught and imprisoned, and became known as The Whisper Man. The new start seems to be working, until Jake starts acting strangely. He says he hears whispering at his window...

Where The Whisper Man is a beautiful exploration of what it's like to be a father, The Shadow Friend​ examines what it is to be a son. Twenty-five years after a troubled teenager, Charlie Crabtree, disappeared after committing a shocking, unprovoked murder, his then friend, Paul Adams finally returns home. He's never forgiven himself for his part in what happened that day, but his mother has a fall and he finally decides to stop running. The old town is full of things he'd rather forget, but by coming back, he's forced to confront them.

I recommend these books, because not only are they very good, original page-turners, they are extremely well-written and they linger with you long after you close the cover. North has earned enough trust from me that I will buy whatever he writes next, in hardback, sight unseen.

*BTW if the mere mention of the word 'supernatural' puts you off - don't let it. I've never been a fan of the so-called supernatural genre. The scientist in me tends to scoff and roll his eyes as soon as anyone mentions ghosts, spirits, and the 'paranormal'; I spend the month of October skimming through the TV guide looking for something else to watch, and have never read any Stephen King! However, North slips these hints into his stories in an ambiguous way that is more creepy and disturbing than supernatural, allowing the reader to draw their own conclusions based on their personal outlook.

Coming February 2021
Available to pre-order from Amazon.

One of the great priviliges of being a writer, is that you often get sent early copies of yet-to-be-published books, to see what you think.

Karin Nordin's debut thriller is set in Sweden and I am delighted that it is the first outing for the gloriously troubled Detective Kjeld Nygaard. I really do look forward to seeing where she takes him and his side-kick Esme in years to come.

The story centres around the return home of Kjeld Nygaard to the tiny Swedish mining town of Varsund that he escaped years before. His father, Stenar, leaves a rambling, incoherent message on Nygaard's phone, claiming he's witnessed a murder. Having not spoken to his father in many years, Nygaard is sufficiently concerned to take advantage of his temporary suspension (imposed after his last case went catastrophically wrong), to drive up north to investigate.

Arriving, he is confronted by a father suffering from Alzheimer's, still obsessed with the shed-full of ravens he tends to daily, and no evidence that he didn't imagine the whole episode. With the relationship between the two estranged men hardly improved by Stenar's confusion, and frequent angry outbursts, Nygaard wants nothing more than to escape back to his life - such as it is - in Gothenburg.

And then he discovers a human tooth in the raven's barn...

This is classic Scandi-Noir, the story set against the frigid, icy weather, and endless hours of darkness that make such tales so atmospheric. Nygaard is a well-rounded character with many flaws and a complicated relationship with his family. His father's deteriorating mental condition is dealt with honestly and at times brutally, and the toll on his loved-ones described with sympathy and compassion. The old man's obsession with his ravens is integral to the story and adds another disturbing layer; there's something especially creepy about corvids that you just don't get with a budgie!

The investigation has more than enough intrigue and twists to make it a satisfying and compelling read, and whilst it is fully resolved, leaves enough should the author choose to return to that setting.

As to the future? Well it is the first in a series, and Nordin has carefully built a cast of characters that will work even if Nygaard doesn't return to Varsund for a couple of books. Throughout the novel, we are treated to hints at what actually happened to earn Nygaard his suspension, and I will be interested to see to what degree that features in later entries in the series. Aside from that, we are introduced to his partner, Esme and even though this isn't a traditional police procedural as such - given that he is working an investigation for personal reasons, well-outside his jursidiction - we see hints at how they work together.

Although this is the first in the series, it doesn't feel like it. It could almost be book three or four, and that's a very clever decision by Nordin. It leaves her options to look both forwards and backwards. I have no insight into the author's plans, but I look forward to seeing what comes next and I am excited that I was afforded the chance to join in right at the beginning!

Very highly recommended.

Buy from Amazon.
Buy a physical copy from Bookshop.org and support independent sellers.

This was a wonderfully refreshing read. Feted by reviewers and readers alike as 'a literary sensation', this really stands out, and is another that I have gifted as a Christmas present (shhh...).

Told in the first person, it relates the story of Korede, a nurse whose wayward sister has a rather awkward habit of killing her boyfriends 'in self defence'. Self-centred, a bit useless and frankly sociopathic, Ayoola's first thought after each of these mishaps is to call her older sibling to come and clean up her mess. Literally.

The book is fast-paced, gloriously daft, and tremendous fun. I found myself laughing out loud, both at the witty prose and the sheer audaciousness of the characters. It also provides a glimpse into modern, upperclass Nigerian society, which is as obsessed with social class as any episode of Downton Abbey. 

The chapters are short, which helps maintain the book's rapid pace. Braithwaite is a poet, and you can see that influence in her careful attention to word choice. She also peppers the dialogue with Yaruba phrases, skillfully balancing the addition of a language perhaps unfamiliar to many of her readers to add flavour, without making it inaccessible. It is a great example of what the author Leye Adenle refers to as 'Sunshine Noir'.

As a bonus, there is also a short interview with the writer at the end of the paperback (I'm afraid I can't comment on whether it is in the electronic version). I don't know what Braithwaite's future plans are, but I fully recommend this book and will be keen to see what she produces next! 

Today you are treated to a double-bill!
I've known Craig Robertson for a number of years and he is a generous and lovely man. A stalwart of the Scottish crimewriting scene, The Mirror says that "Robertson is doing for Glasgow what Rankin did for Edinburgh". High praise indeed.
But as always, these two books are listed here as they are damn good reads (which I have bought people for Christmas... shhh), not because Craig is a mate.

These are the two latest releases in Robertson's Glasgow-based DI Rachel Narey series. I like Robertson's writing as he always brings an original twist. As a writer of police procedurals myself, I know how hard it is to make a book stand out, and both of these distinguish themselves in a crowded field.

In The Photographer, a dawn raid by the police leads to the discovery of a chilling collection of photographs hidden under floorboards. The story has a nice balance of surprising twists with a growing sense of impending dread, with readers never sure what will come next. 
As always, the book has a strong supporting cast - both series regulars and new characters for this book, and each is written as an individual with their own strengths and foibles, with readers easily becoming invested in their fates. 

The next in the series Watch Him Die is another high-concept idea. The book opens in Los Angeles, with the apparently non-suspicious death of a man in his own home. However, closer inspection of the residence soon reveals something disturbing...
Back in Glasgow, Robertson's series regular, Rachel Nary is embroilled in a missing person case - she believes she knows who is responsible, and furthermore believes that he has killed her. 
These two seemingly unrelated cases, thousands of miles apart, become linked when the detectives in California discover a live internet feed broadcasting the slow and painful death of another victim...
I love this book. The marrying together of these two disparate cases is both chilling and plausible, and the blending of the familiar world of DI Nary with the radically different culture of US law enforcement is handled skilfully.
In 'race against time' books, it can be difficult to engender a true sense of danger for the victims. We want our heroes to succeed, and we know that the writer is also rooting for them. Here, Robertson genuinely has you wondering 'will they or won't they'? From the outset, there is no foregone conclusion, and it really is a 'page-turner'.

I heartily recommend both of these books, and others by Craig Robertson. He deserves the respect that he receives from reviewers, readers and his peers. I'll definitely be keeping an eye out for whatever he releases next.

Buy From Amazon.
Buy a physical copy from Bookshop.org and support independent sellers.

I raced through The Last Resort in just three sittings, it was that good!
I've known Susi for a few years, and we both had short stories in the CWA Mystery Tour Anthology, but this is the first time I've read a full-length novel of hers. 
It seems that I've been missing out! I will be sure to read her other books, including those penned under SJI Holliday. As always though, the book is a recommended read because I really enjoyed it, not because I know the author.

The book is a great blending of a modern, hi-tech thriller with some futuristic technology, and a traditional 'strangers trapped on an island together' mystery.
The basic premise is that seven people agree to travel to a 'luxury resort'. They've all been summonsed individually, and aside from one couple, are unknown to one another. The way that the whole thing has been organised is sketchy from the outset, but as is common with these stories, the protagonists all have their own reasons for accepting the invite. You, the reader, are already shouting "run away, you fools, it's a trap"... I love that sort of set-up.

It gives nothing away to tell you that each of the guests have their own hidden pasts, and the pleasure is trying to guess what secret each person harbours that they would rather nobody else knew. As the book progresses, things start to go horribly wrong...

The book is told in short chapters, and although it is 3rd person narration, each chapter is told from the perspective of one of the seven characters. This allows the reader a privileged glimpse into the mind of that chapter's subject, even as they strive to maintain their own facade. It's a technique that works really well, avoiding the need for extensive exposition from an omniscient narrator. 

Interspersed between the chapters is a shocking event that happened long ago in the summer of 2000. Which character is hiding this secret and how will it feed into the modern day narrative?

As I said at the start, I raced through this in three sittings, and it was only heavy eyes that stopped me from reading 'just one more chapter' in bed. Definitely a page-turner, and definitely a recommended read.

First off, a confession. I am a huge Lee Child fan.
So it is only fitting that the latest Jack Reacher is my first entry in this newly-christened #RecommendedReads blog.

Ever since I first picked up a Jack Reacher in Manchester Central Library, circa 2003, I have read everything he's written. Being on a limited budget, I initially followed my rule of only buying second-hand paperbacks of novels I had previously borrowed. However, by the time I had read the half-dozen or so books already published, I was too impatient to wait for his latest book to hit the library, and certainly couldn't hang around for the paperback to arrive, and so Lee Child became one of the few authors that I would splash out for the hardback, no questions asked.
I introduced the novels to both my father and selected work colleagues, and I figure that Lee probably owes me at least a pint and a chip supper for my contribution to his impressive sales figures.

In terms of the writer behind the words, Lee is one of my favourite authors to watch talk and I have also been fortunate enough to chat with him on a couple of occassions. He is still one of the few writers where I actually get a little tongue-tied when I speak to him, even though he is never anything less than gracious and kind. He even willingly trolled my heavily-pregnant, Coventry City-supporting sister, via our family WhatsApp group, by wishing her all the best and hoping that my soon-to-be-born nephew would grow up to be an Aston Villa fan!

So I was both surprised and saddened when he announced that he would be hanging up his pen (or unplugging his keyboard) and gradually handing over the reins to his younger brother, Andrew (himself an accomplished thriller writer under his real name, Andrew Grant). The plan was to re-invigorate Reacher slightly, bringing him kicking and screaming into the twentieth-century, including introducing him to such exciting innovations as mobile phones!

The Sentinel is the first such collaboration before Andrew takes over completely, and I approached the book with both excitement and trepidation, having watched a couple of online interviews. Andrew claims to be the 'first ever Reacher fan', having read the very first draft of Killing Floor all those years ago, but would it be as good as what went before? Would it 'feel' the same?

Well I was pleased with this first outing, and from the evidence presented here, Reacher is in safe hands. Stylistically, the writing is very similar, with short, punchy sentences, skilfull pacing and Reacher's introspection and inner monologue are handled nicely. As promised, Reacher is taken out of his comfort zone, in a hi-tech thriller that still gives him the opportunity to do what he does best - smart detective work accompanied by carefully choreographed violence when needed.

I'm not going to give away any more of the plot than can be found in interviews or on the jacket blurb, suffice to say that the town that Reacher finds himself in is currently being held ransom by a cyber attack and the somewhat hapless IT tech, Rusty Rutherford, really needs his help...
What I would say is that it is incredibly timely; I don't know how far in advance the book was written, but the themes running through it are very prescient (not Covid though, you'll be relieved to hear).

I heartily recommend this for both Reacher fans and those new to the character, and I'll be buying next year's book as soon as I can!