Today is another double bill!

Steve Cavanagh's Eddie Flynn series is fast becoming one of my 'can't miss' reads, and these two latest entries have raised the already high bar he set with his previous books even more. The books have won numerous awards and are quite rightly bestsellers.

For those unfamiliar with the set-up, Flynn is a New York-based con-artist turned defence lawyer. He only represents those that he knows are innocent; unfortunately his shady past and successful reputation have sometimes made him the 'go to advocate' for some decidedly unsavoury characters, who will make him an 'offer he cannot refuse', leaving Flynn with the unenviable task of trying to balance his own, ethical standards with the demands of his employers.

The books are legal thrillers in the vein of Michael Connelly's Micky Haller (Lincoln Lawyer) series, with a mixture of courtroom drama and outside thrills. Both aspects of the story are equally exciting. Remarkably, Cavanagh is a Belfast-born lawyer in real-life, who has never practised in the state of New York, yet his stories are filled with authentic detail and procedure, often with a very clever twist that demonstrates his deep understanding of the NY legal system.

The series started with a bang in 2015's The Defence and a very tasty short story The Cross, before continuing with The Plea and The Liar.
The subjects of this post are the two latest, Thirteen and Fifty-Fifty.

Thirteen has, in my opinion, the most gripping tag-line in recent years.
'The serial killer isn't on trial. He's on the jury.'
I mean, seriously, how can you not pick that off the shelf?
The premise for the book is summed up in that tag-line. The question, of course, is why? Why is he so desperate to get onto that jury? The serial killer is named on the novel's jacket blurb - an audacious move that tells you immediately that you can trust nothing in this book. Of course, Eddie Flynn doesn't take what he is presented with at first glance, and whilst the reader is shown glimpses of the killer that Flynn is not privvy to, you are chasing clues alongside Flynn throughout the book.

Fifty-Fifty is another high-concept thriller, that lives up to the standard set by the previous book. The book opens in characteristic style - full-on, straight into the action, setting up the premise immediately. No slow-burn here!
A man has been murdered in his own home. The 911 dispatch operator is called by a terrified young woman who claims that the killer is still in the house and the murderer is her sister. Moments later another call is received. Same house, same murder, different sister - and she's pointing the finger at the sibling who made the first call...
It's a high-profile case and when both are charged, Flynn fights for the right to represent the sister that he is convinced is innocent. The other sister is represented by a young, inexperienced lawyer, and she is equally convinced of her client's innocence.
As in Thirteen, we are shown extensive glimpses of the killer covering their tracks. But again, Cavanagh skilfully hides their identity. As the story unfolded, I found myself convinced that I knew who the killer must be - before having my mind changed. Repeatedly. The book is a masterclass in plotting and the art of the precisely placed reveal, and most importantly - a thumping good read!

I can't recommend these two books highly enough. And whilst I've known Steve personally for several years, as always his books are featured here on their own (considerable) merits.

Today you are treated to a double-bill!
I've known Craig Robertson for a number of years and he is a generous and lovely man. A stalwart of the Scottish crimewriting scene, The Mirror says that "Robertson is doing for Glasgow what Rankin did for Edinburgh". High praise indeed.
But as always, these two books are listed here as they are damn good reads (which I have bought people for Christmas... shhh), not because Craig is a mate.

These are the two latest releases in Robertson's Glasgow-based DI Rachel Narey series. I like Robertson's writing as he always brings an original twist. As a writer of police procedurals myself, I know how hard it is to make a book stand out, and both of these distinguish themselves in a crowded field.

In The Photographer, a dawn raid by the police leads to the discovery of a chilling collection of photographs hidden under floorboards. The story has a nice balance of surprising twists with a growing sense of impending dread, with readers never sure what will come next. 
As always, the book has a strong supporting cast - both series regulars and new characters for this book, and each is written as an individual with their own strengths and foibles, with readers easily becoming invested in their fates. 

The next in the series Watch Him Die is another high-concept idea. The book opens in Los Angeles, with the apparently non-suspicious death of a man in his own home. However, closer inspection of the residence soon reveals something disturbing...
Back in Glasgow, Robertson's series regular, Rachel Nary is embroilled in a missing person case - she believes she knows who is responsible, and furthermore believes that he has killed her. 
These two seemingly unrelated cases, thousands of miles apart, become linked when the detectives in California discover a live internet feed broadcasting the slow and painful death of another victim...
I love this book. The marrying together of these two disparate cases is both chilling and plausible, and the blending of the familiar world of DI Nary with the radically different culture of US law enforcement is handled skilfully.
In 'race against time' books, it can be difficult to engender a true sense of danger for the victims. We want our heroes to succeed, and we know that the writer is also rooting for them. Here, Robertson genuinely has you wondering 'will they or won't they'? From the outset, there is no foregone conclusion, and it really is a 'page-turner'.

I heartily recommend both of these books, and others by Craig Robertson. He deserves the respect that he receives from reviewers, readers and his peers. I'll definitely be keeping an eye out for whatever he releases next.

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I raced through The Last Resort in just three sittings, it was that good!
I've known Susi for a few years, and we both had short stories in the CWA Mystery Tour Anthology, but this is the first time I've read a full-length novel of hers. 
It seems that I've been missing out! I will be sure to read her other books, including those penned under SJI Holliday. As always though, the book is a recommended read because I really enjoyed it, not because I know the author.

The book is a great blending of a modern, hi-tech thriller with some futuristic technology, and a traditional 'strangers trapped on an island together' mystery.
The basic premise is that seven people agree to travel to a 'luxury resort'. They've all been summonsed individually, and aside from one couple, are unknown to one another. The way that the whole thing has been organised is sketchy from the outset, but as is common with these stories, the protagonists all have their own reasons for accepting the invite. You, the reader, are already shouting "run away, you fools, it's a trap"... I love that sort of set-up.

It gives nothing away to tell you that each of the guests have their own hidden pasts, and the pleasure is trying to guess what secret each person harbours that they would rather nobody else knew. As the book progresses, things start to go horribly wrong...

The book is told in short chapters, and although it is 3rd person narration, each chapter is told from the perspective of one of the seven characters. This allows the reader a privileged glimpse into the mind of that chapter's subject, even as they strive to maintain their own facade. It's a technique that works really well, avoiding the need for extensive exposition from an omniscient narrator. 

Interspersed between the chapters is a shocking event that happened long ago in the summer of 2000. Which character is hiding this secret and how will it feed into the modern day narrative?

As I said at the start, I raced through this in three sittings, and it was only heavy eyes that stopped me from reading 'just one more chapter' in bed. Definitely a page-turner, and definitely a recommended read.