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#TeamPoe or #TeamTilly? It's a question increasingly asked by the legions of fans of M.W. Craven's award-winning Washington Poe series and it's not hard to see why so many have fallen in love with Craven's wonderfully taciturn Poe and the gloriously naïve, and delightfully quirky, Tilly Bradshaw.
This is the third outing for this brilliant duo, and if you are wondering why I am only just reviewing the third in the series, when the fourth has already been released to such acclaim, it is because I have forced myself to ration this genuine pleasure.
For many writers, just creating such a compelling cast of characters would be enough. You could place these two in the centre of an average thriller and they would be good enough to carry the book, even if other aspects of the story failed to excite. Yet Craven has resisted the temptation to take the easy route. The Curator, like The Puppet Show and Black Summer before it, features an intricate and clever plot that is both shocking and ingenious. Marry it with Poe and Tilly, and you have an absolute winner. If you haven't yet read any of this series, I recommend you start at the beginning with The Puppet Show; not because you need to - you can easily read The Curator as a standalone - but why deprive yourself of getting to know them from the beginning of their journey, and watching them evolve?

In this outing, National Crime Agency detective, Washington Poe and his analyst side-kick, Tilly Bradshaw, are called back to Cumbria to investigate a serial killer. His signature is the placing of body parts in unusual places that defy explanation, along with the cryptic code #BSC6. The opening of chapter one will ensure you think twice about taking part in the office secret Santa this year.
I'm not going to recap the plot here, to do so would deprive you of the pleasure of discovering it for yourself. Suffice to say, it is wonderfully complex, creepy and shocking. Several times Craven leads us to what appears to be the final solution, before spinning on a sixpence and showing us that, despite appearances, we've got it all wrong. When it finally comes, the answer is satisfying, unexpected and upsetting in equal measure.

Part of what makes these books such a pleasure to read is the interaction between the characters, but that would be nothing without Craven's wry and humorous prose. He's not afraid to place some of the best lines into the mouth of the narrator, rather than the characters, and you'll find yourself laughing out loud at his witty turns of phrase. In addition, Craven has a real love for Cumbria and its breath-taking scenery (and weather). If ever there was a series that deserved to be adapted for the screen, this is it.  
As to whether I am #TeamTilly or #TeamPoe - well I'm neither. They are two halves of a whole and to separate them wouldn't work.

I can't recommend this highly enough, and it will take all of my will-power not to go out read the next in the series, Dead Ground, immediately - maybe I'll fill the void with a couple of the short stories, from Cut Short? 

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Liz and I will be taking part in a live online panel with Roz Watkins and Jane Bettany as part of National Crime Readers Month at 19:30h BST Tuesday 15th June.
"Crafting a Compelling Copper".
For a FREE ticket, follow this eventbrite link.
There will be a 30% discount code on featured books for all attendees.
I look forward to seeing you there!

Unbound Ties is the seventh novel in Liz Mistry's DI Gus McGuire series.
This is my first foray into Gus McGuire's world, but it won't be my last.
The story centres around the ritualistic murder of pregnant women. This is bad enough, but McGuire soon finds that the killings are linked to his own mother's troubled childhood in the foster care system.
McGuire is a fantastic character. Driven and dedicated, he chafes at being side-lined from the main investigation, especially when the case means so much to him personally.


Picking up an ongoing series so far into it can be difficult sometimes, but Mistry finds the correct  balance between hints at key events in previous books and not giving too much away. It left this reader keen to read more about McGuire and his team's prior adventures.
McGuire is surrounded by a rich cast of supporting characters. From the flatulent Crime Scene Manager Hissing Sid and eccentric forensic psychologist Carlton to his loyal team of officers, Alice, Compo and Taffy, all are vividly and uniquely portrayed. I enjoyed the banter and repartee between these series regulars, and again, Mistry makes new readers want to go back to earlier books in the series to learn more about them.
The ritualistic murders are brilliantly plotted and the skilful shifting of perspective between McGuire, the killer and other characters draws the reader into the narrative without ever being distracting.
Mistry sets her books in Bradford, a place she knows intimately, and her characters reflect the vibrant and multicultural nature of the city.
Unlike many authors, Mistry hasn't shied away from referencing Covid19, but it is done skilfully with a light touch. References to restrictions, and the impact they have on day-to-day policing are mentioned, but they simply add authenticity and fix the book's place in time, without impacting the story or jarring the reader. Those for whom reading is an escape from reality can safely pick-up this book without fear of the real world intruding.
This is a cleverly plotted story, with a well-crafted protagonist and fiendish villain. I thoroughly recommend it.

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Dark Memories is the third in Liz Mistry's DS Nikki Parekh series, and the title is perfect.
This is a book about memory; about a past that has haunted Nikki Parekh and her family for decades. In her afterword, Mistry says that she had wanted to write this book since starting the series, but waiting until the third book was a genius decision. I haven't read the previous entries, but when I picked this up, I felt right at home. There is a rich cast of supporting characters, all with their own history - hinted at but not spoiled for those of us who haven't read those stories - and Parekh is a complex, layered character. By penning two books before this, Mistry has been able to craft a world that she knows intimately, with players that she  - and the reader - really care about; including readers that are new to the series and have no prior emotional investment. That's a remarkable achievement.

The story starts with the discovery of a homeless person in Bradford, the Yorkshire town that Mistry sets all of her books in. The case is seemingly routine and progress frustratingly slow, until a newspaper clipping sent to Nikki Parekh makes her wonder if she has a personal connection to the case. A second murder appears unrelated - except for the arrival of another note. By the time the third body is discovered, her link to the murders becomes undeniable - this one is in the house across the street from where she spent her traumatic childhood.
Mistry's treatment of Parekh is brutal and uncompromising in this book, and she deals sensitively with some very upsetting issues. But there are also glimmers of light. Parekh's love for her family is at the centre of the novel, and at work, the unflinching loyalty of her partner DC Sajid Malik and their easy banter counterbalance the darkness.

I really enjoyed this, and it is definitely a #RecommendedRead.

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Roz and I will be taking part in a live online panel with Jane Bettany and Liz Mistry as part of National Crime Readers Month at 19:30h BST Tuesday 15th June.
"Crafting a Compelling Copper".
For a FREE ticket, follow this eventbrite link.
There will be a 30% discount code on featured books for all attendees.
I look forward to seeing you there!

Cut to the Bone is the third in Roz Watkin's DI Meg Dalton series and I wish I had met her sooner.
The story concerns the disappearance of a young women from a pig abattoir. Taking place over a scorching summer, and set in the Peak District, there is so much I enjoyed about this book.
First of all the central mystery. It is a real, meaty investigation (pardon the pun). There are several viable suspects from the outset, all of whom have their own dark secrets. As the book unfolds, we learn how their lives intertwined, decades before the disappearance of the victim.
All of Watkins books are set in fictionalised versions of places that the author is familiar with. If you visit her website, she lists the real-life town that she bases each book on, something I've never seen before. This gives the book a really strong sense of place, and so the history and legends that she invents for the town, which are integral to the story, are anchored to the real location and feel more authentic.
The themes in the book are disturbing, and Watkins is unafraid to push the boundaries, but it's deftly handled and suitable for all but the most squeamish. The final reveal, when it comes is original and unexpected, but all the clues were there.


But my favourite thing about this book is DI Meg Dalton herself. Aside from occasional forays into the past, the narration is mostly first person from the perspective of Meg. A strong, accomplished detective, she is nevertheless self-critical and her inner monologue is brilliantly witty, and her unspoken thoughts are sometimes gloriously inappropriate. I found myself laughing some times, and feeling slightly guilty at other times, as Meg had naughty thoughts that I might share, but would also never say out loud.
Watkins has built a world around Meg, populated by interesting characters that each share a  relationship with her. Having not read any of the earlier books in the series, I look forward to going back and getting to know them before the next instalment.
This is a very enjoyable #RecommendedRead.

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Buy from Bookshop.org and support independent sellers.

Jane and I will be taking part in a live online panel with Roz Watkins and Liz Mistry as part of National Crime Readers Month at 19:30h BST Tuesday 15th June.
"Crafting a Compelling Copper".
For a FREE ticket, follow this eventbrite link.
There will be a 30% discount code on featured books for all attendees.
I look forward to seeing you there!

Today's #RecommendedRead is the first entry in Jane Bettany's new DI Isabel Blood series.
A brother and sister renovating an old house stumble across skeletal remains buried in the garden. For DI Isabel Blood, the discovery transports her to her own past - for the house is the one in which she spent the first years of her childhood. Furthermore, the bones have been buried in the ground for decades - could she finally have an answer to the mystery of what happened to her father, whose disappearance has haunted her for forty years?


Jane Bettany's new protagonist is refreshingly original for the genre. Middle-aged, male detectives are popular in crime fiction, but as is the case in so many fields of entertainment, we rarely see women of this age portrayed (Ann Cleaves' Vera notwithstanding). The road to publication for In Cold Blood was an interesting one. Bettany was already an accomplished short story writer, and creative writing tutor. This, her debut novel, was the winning entry in a unique competition held by HQ Digital and Gransnet - the criteria being a novel written by a woman over forty, writing a female character the same age.
Isabel Blood is fifty-five years old, with a teenage daughter.  We see her juggling being a parent with her work, whilst coping with the emotional fallout from the discovery of the body. The book is set in Derbyshire, and has a strong sense of place.
The story itself is tightly plotted and a real headscratcher. The first in a series, it introduces us to Isabel and a host of other, well-crafted supporting characters that are sure to become series regulars. As the investigation progresses, it twists and turns. There are deeply satisfying revelations and reversals and the two stories, the professional and the personal, are equally important and expertly intertwined. The unfolding mystery is imaginative and original, and Bettany deals with difficult issues sensitively and compassionately.
I thoroughly enjoyed this book. Time constraints meant it took me several days to read it, and I found myself really looking forward to picking it up again.
This is a very promising start to a series that I am certain to follow.
Highly recommended.

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Neil Lancaster is a former Military Police officer and Metropolitan Police detective, and so, as a writer of police procedurals myself, I was excited to read something by somebody who really knows what he is talking about!
Dead Man's Grave is the first in a new series starring DS Max Cragie, a former Metropolitan Police detective who relocates from London to Scotland, after an armed operation goes wrong.
The book starts with the discovery of a grave by the head of one of Scotland's most notorious crime families, inscribed with the ominous words 'This Grave Can Never Be Opened' . The murder of the crime boss uncovers a blood feud dating back to the 1890s and leads to the unmasking of a corruption conspiracy at the heart of Police Scotland.

As you'd expect from a man with Lancaster's experience, the book is packed with authentic police procedure, but more importantly, it's a damned good read! The plot is complex, with enough twists and turns to keep you guessing. Several times throughout the book, the story seems to be heading for a conclusion, but Lancaster throws in a sudden swerve that takes the story off in a different direction, until it finally reaches an explosive and satisfying conclusion. 
From the outset, the characters leap off the page; from Cragie's gloriously foul-mouthed boss DI Ross Fraser, to the sparky DC Janie Calder, they are all expertly realised. Cragie and Calder make for a compelling duo, with just enough revealed about their backstory to hint that the series has legs.


In the interests of disclosure, Neil and I share the same publisher, which in part is how I obtained this advanced reader's copy. But as I have always   made clear, books only appear on this blog if I have genuinely enjoyed them and think others will also.
So I have no hesitation in making this a #RecommendedRead.


Dead Man's Grave is available for pre-order from HQ Stories, and is published in July 2021. 

Welcome to a first for this blog, a review of an entire series.

I first came across Rachel Lynch's DI Kelly Porter in the summer of 2019, when her publisher sent me an early copy of the third book, Dead End. I thoroughly enjoyed it, and was more than happy to let a quote of mine be used on the cover blurb. A few months later, the convenor of my local Crime Writers' Association chapter announced that we would have a new member joining us for our semi-regular lunch-time gatherings. Guess who turned up the following Sunday!

Since then, Rachel has written a further five books, a work-rate that puts many of us to shame!
Fast-forward to the end of 2020 and the wonderful folks who run the UK Crime Book Club Facebook page asked if I would like to do a live 'in conversation with'  interview. And if I did, who would I like to speak to? The decision took seconds, and I fired off a quick Facebook message to Rachel. Regardless of her response, I happened to be standing outside a small bookshop in Bakewell (quite literally the only time I had been out in public since March!), and it gave me the perfect excuse to march in and buy her whole back catalogue with a view to binge-reading them before our conversation.

The conversation took place on Friday 12th of February and is archived on both the UK Crime Book Club Facebook page and YouTube.

Reading the whole series back-to-back has been an absolute pleasure! As a writer of police procedurals myself, I know how difficult it can be to tread the fine-line between accuracy and the need to tell a good story, and Rachel nails it.
The stories encompass a range of different types of crime and societal issues including knife crime and teenage drug use, illegal immigation and people trafficking and a cracking messed-in-the-head serial killer! Rachel also touches on more unusual fare - the sixth in the series, Blood Rites explores ancient religions and cults. Unlike some authors, she resists the urge to over-sensationalise and treats these alternate beliefs with respect, and I came away feeling that I had learnt something genuinely interesting. Some of the themes (and antagonists) explored in earlier books are revisited later, which is extremely satisfying.

The books are set in the lake district, an area Rachel knows intimately and whilst the alarmingly regular murders, and hidden secrets are probably not entirely to the Cumbria Tourist Information Office's taste, I think they are more than compensated for by her clear love of the area. DI Kelly Porter is a keen runner and outdoorsperson, and Rachel's descriptions of this breath-taking National Park, through all its varied seasons, remind me of the wonderful visits I have made there. I think that readers of her books who are unfamiliar with the area will be entranced, and may contemplate a future holiday there.

Porter is a compelling character; dogged and determined, she follows a really satisfying arc over the course of the books. Her personal life is well mapped-out, and whilst it has enough drama to keep readers hooked and keen to catch-up with her in the next book, she isn't a dark, depressed alcoholic.
In many ways, I find this comforting; my own DCI Warren Jones isn't plagued by as many demons as some of his fictional peers, and Rachel has proven that you can write dark stories without the need for a relentlessly dark central protagonist.

There are many excellent crime series out there, and this is up with the best of them. And with its beautiful backdrops, complex and likeable central character, and satisfyingly complex plots, this is one that is crying out for TV. The success of Vera, DCI Banks and Shetland have shown that there is a big appetite for stories such as these. Perfect fodder for Sunday evening on ITV1!

I highly recommend this whole series!

Please feel free to share your thoughts here or on social media.

Coming February 2021
Available to pre-order from Amazon.

One of the great priviliges of being a writer, is that you often get sent early copies of yet-to-be-published books, to see what you think.

Karin Nordin's debut thriller is set in Sweden and I am delighted that it is the first outing for the gloriously troubled Detective Kjeld Nygaard. I really do look forward to seeing where she takes him and his side-kick Esme in years to come.

The story centres around the return home of Kjeld Nygaard to the tiny Swedish mining town of Varsund that he escaped years before. His father, Stenar, leaves a rambling, incoherent message on Nygaard's phone, claiming he's witnessed a murder. Having not spoken to his father in many years, Nygaard is sufficiently concerned to take advantage of his temporary suspension (imposed after his last case went catastrophically wrong), to drive up north to investigate.

Arriving, he is confronted by a father suffering from Alzheimer's, still obsessed with the shed-full of ravens he tends to daily, and no evidence that he didn't imagine the whole episode. With the relationship between the two estranged men hardly improved by Stenar's confusion, and frequent angry outbursts, Nygaard wants nothing more than to escape back to his life - such as it is - in Gothenburg.

And then he discovers a human tooth in the raven's barn...

This is classic Scandi-Noir, the story set against the frigid, icy weather, and endless hours of darkness that make such tales so atmospheric. Nygaard is a well-rounded character with many flaws and a complicated relationship with his family. His father's deteriorating mental condition is dealt with honestly and at times brutally, and the toll on his loved-ones described with sympathy and compassion. The old man's obsession with his ravens is integral to the story and adds another disturbing layer; there's something especially creepy about corvids that you just don't get with a budgie!

The investigation has more than enough intrigue and twists to make it a satisfying and compelling read, and whilst it is fully resolved, leaves enough should the author choose to return to that setting.

As to the future? Well it is the first in a series, and Nordin has carefully built a cast of characters that will work even if Nygaard doesn't return to Varsund for a couple of books. Throughout the novel, we are treated to hints at what actually happened to earn Nygaard his suspension, and I will be interested to see to what degree that features in later entries in the series. Aside from that, we are introduced to his partner, Esme and even though this isn't a traditional police procedural as such - given that he is working an investigation for personal reasons, well-outside his jursidiction - we see hints at how they work together.

Although this is the first in the series, it doesn't feel like it. It could almost be book three or four, and that's a very clever decision by Nordin. It leaves her options to look both forwards and backwards. I have no insight into the author's plans, but I look forward to seeing what comes next and I am excited that I was afforded the chance to join in right at the beginning!

Very highly recommended.

Today you are treated to a double-bill!
I've known Craig Robertson for a number of years and he is a generous and lovely man. A stalwart of the Scottish crimewriting scene, The Mirror says that "Robertson is doing for Glasgow what Rankin did for Edinburgh". High praise indeed.
But as always, these two books are listed here as they are damn good reads (which I have bought people for Christmas... shhh), not because Craig is a mate.

These are the two latest releases in Robertson's Glasgow-based DI Rachel Narey series. I like Robertson's writing as he always brings an original twist. As a writer of police procedurals myself, I know how hard it is to make a book stand out, and both of these distinguish themselves in a crowded field.

In The Photographer, a dawn raid by the police leads to the discovery of a chilling collection of photographs hidden under floorboards. The story has a nice balance of surprising twists with a growing sense of impending dread, with readers never sure what will come next. 
As always, the book has a strong supporting cast - both series regulars and new characters for this book, and each is written as an individual with their own strengths and foibles, with readers easily becoming invested in their fates. 

The next in the series Watch Him Die is another high-concept idea. The book opens in Los Angeles, with the apparently non-suspicious death of a man in his own home. However, closer inspection of the residence soon reveals something disturbing...
Back in Glasgow, Robertson's series regular, Rachel Nary is embroilled in a missing person case - she believes she knows who is responsible, and furthermore believes that he has killed her. 
These two seemingly unrelated cases, thousands of miles apart, become linked when the detectives in California discover a live internet feed broadcasting the slow and painful death of another victim...
I love this book. The marrying together of these two disparate cases is both chilling and plausible, and the blending of the familiar world of DI Nary with the radically different culture of US law enforcement is handled skilfully.
In 'race against time' books, it can be difficult to engender a true sense of danger for the victims. We want our heroes to succeed, and we know that the writer is also rooting for them. Here, Robertson genuinely has you wondering 'will they or won't they'? From the outset, there is no foregone conclusion, and it really is a 'page-turner'.

I heartily recommend both of these books, and others by Craig Robertson. He deserves the respect that he receives from reviewers, readers and his peers. I'll definitely be keeping an eye out for whatever he releases next.