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Neil Lancaster is a former Military Police officer and Metropolitan Police detective, and so, as a writer of police procedurals myself, I was excited to read something by somebody who really knows what he is talking about!
Dead Man's Grave is the first in a new series starring DS Max Cragie, a former Metropolitan Police detective who relocates from London to Scotland, after an armed operation goes wrong.
The book starts with the discovery of a grave by the head of one of Scotland's most notorious crime families, inscribed with the ominous words 'This Grave Can Never Be Opened' . The murder of the crime boss uncovers a blood feud dating back to the 1890s and leads to the unmasking of a corruption conspiracy at the heart of Police Scotland.

As you'd expect from a man with Lancaster's experience, the book is packed with authentic police procedure, but more importantly, it's a damned good read! The plot is complex, with enough twists and turns to keep you guessing. Several times throughout the book, the story seems to be heading for a conclusion, but Lancaster throws in a sudden swerve that takes the story off in a different direction, until it finally reaches an explosive and satisfying conclusion. 
From the outset, the characters leap off the page; from Cragie's gloriously foul-mouthed boss DI Ross Fraser, to the sparky DC Janie Calder, they are all expertly realised. Cragie and Calder make for a compelling duo, with just enough revealed about their backstory to hint that the series has legs.


In the interests of disclosure, Neil and I share the same publisher, which in part is how I obtained this advanced reader's copy. But as I have always   made clear, books only appear on this blog if I have genuinely enjoyed them and think others will also.
So I have no hesitation in making this a #RecommendedRead.


Dead Man's Grave is available for pre-order from HQ Stories, and is published in July 2021. 

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David Baldacci is one of the most prolific of the 'big name' authors writing in the crime and thriller genre today, and I have been a huge fan for years. I have an entire shelf, double-stacked, of his books and will need to reorganise my bookcases before I can add more to my collection.
In addition to some great standalones, Baldacci really excels when it comes to juggling multiple series. At any one time, he usually has two or three separate series on the go, switching between protagonists, before introducing a new character and writing several starring that person. Typically, he writes modern thrillers, often with FBI or Secret Service agents, or in the case of John Puller, a military investigator.
Following the logic that he's never let me down before, when adding books to my Amazon wish list for Christmas, I saw One Good Deed, subtitled 'Introducing Aloysius Archer', and I didn't even read the jacket blurb. I just clicked add.


So I had absolutely no idea until I plucked the book off the very generous stack that my family had bought me for Christmas what a departure it was from his usual fare.

Unlike his other series, this one is set in 1949. Archer, a young man who served his country admirably in the Second World War, leaves prison early after serving time for a crime he did not commit. Following the terms of his release, he catches the bus to the town of Poca City, where he is to meet his parole officer weekly, find gainful employment, and avoid drink and loose women.
Within 24 hours of signing into the local hotel where all new parolees start their new lives, he meets a beautiful woman, is employed as a debt collector by the wealthiest man in town and convinces his parole officer that there is no need of her offer of a job bashing in hogs' skulls at the local pork farm.
All seems well and Archer is looking forward to biding his time and getting his life on track. And then there's a murder...


I really enjoyed this. Most of what I read and write is contemporary, so this was a refreshing change. I'm in no position to express an opinion on how accurate the details are, but it certainly feels authentic and Baldacci has clearly spent time researching the time period. The dialogue is snappy and reminiscent of the various movies of the time that I have seen, the characters are vividly described and the plot is a cracking whodunnit.
The advantage of writing a novel set seventy years ago, is that so much of what we take for granted in modern fiction is not available. That's not to say that it is easier to write in that period - far from it - but it allows for a different type of story to be told that just wouldn't be possible nowadays, and that brings its own pleasure. The fact is, DCI Warren Jones could have solved the case in 48 hours. His team of CSIs would have identified the murderer from the DNA evidence left at the scene, their alibi would have been destroyed by their mobile phone location history, and they'd probably have been caught on CCTV.
Instead, we are treated to good old-fashioned detective work; tracking down witnesses, wearing out the shoe leather, and fine, deductive reasoning. The book is generous in length, but paced perfectly and draws the reader in with plenty of twists and turns, and expertly crafted reveals. The motives and the reasons behind the shocking events when they are finally uncovered are both complex and simple - just like all the best stories.


There is a sequel due later this year, and I will be adding it to my wish list for next Christmas.
​I heartily recommend this book.  

Today is another double bill!

Steve Cavanagh's Eddie Flynn series is fast becoming one of my 'can't miss' reads, and these two latest entries have raised the already high bar he set with his previous books even more. The books have won numerous awards and are quite rightly bestsellers.

For those unfamiliar with the set-up, Flynn is a New York-based con-artist turned defence lawyer. He only represents those that he knows are innocent; unfortunately his shady past and successful reputation have sometimes made him the 'go to advocate' for some decidedly unsavoury characters, who will make him an 'offer he cannot refuse', leaving Flynn with the unenviable task of trying to balance his own, ethical standards with the demands of his employers.

The books are legal thrillers in the vein of Michael Connelly's Micky Haller (Lincoln Lawyer) series, with a mixture of courtroom drama and outside thrills. Both aspects of the story are equally exciting. Remarkably, Cavanagh is a Belfast-born lawyer in real-life, who has never practised in the state of New York, yet his stories are filled with authentic detail and procedure, often with a very clever twist that demonstrates his deep understanding of the NY legal system.

The series started with a bang in 2015's The Defence and a very tasty short story The Cross, before continuing with The Plea and The Liar.
The subjects of this post are the two latest, Thirteen and Fifty-Fifty.

Thirteen has, in my opinion, the most gripping tag-line in recent years.
'The serial killer isn't on trial. He's on the jury.'
I mean, seriously, how can you not pick that off the shelf?
The premise for the book is summed up in that tag-line. The question, of course, is why? Why is he so desperate to get onto that jury? The serial killer is named on the novel's jacket blurb - an audacious move that tells you immediately that you can trust nothing in this book. Of course, Eddie Flynn doesn't take what he is presented with at first glance, and whilst the reader is shown glimpses of the killer that Flynn is not privvy to, you are chasing clues alongside Flynn throughout the book.

Fifty-Fifty is another high-concept thriller, that lives up to the standard set by the previous book. The book opens in characteristic style - full-on, straight into the action, setting up the premise immediately. No slow-burn here!
A man has been murdered in his own home. The 911 dispatch operator is called by a terrified young woman who claims that the killer is still in the house and the murderer is her sister. Moments later another call is received. Same house, same murder, different sister - and she's pointing the finger at the sibling who made the first call...
It's a high-profile case and when both are charged, Flynn fights for the right to represent the sister that he is convinced is innocent. The other sister is represented by a young, inexperienced lawyer, and she is equally convinced of her client's innocence.
As in Thirteen, we are shown extensive glimpses of the killer covering their tracks. But again, Cavanagh skilfully hides their identity. As the story unfolded, I found myself convinced that I knew who the killer must be - before having my mind changed. Repeatedly. The book is a masterclass in plotting and the art of the precisely placed reveal, and most importantly - a thumping good read!

I can't recommend these two books highly enough. And whilst I've known Steve personally for several years, as always his books are featured here on their own (considerable) merits.

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This was a wonderfully refreshing read. Feted by reviewers and readers alike as 'a literary sensation', this really stands out, and is another that I have gifted as a Christmas present (shhh...).

Told in the first person, it relates the story of Korede, a nurse whose wayward sister has a rather awkward habit of killing her boyfriends 'in self defence'. Self-centred, a bit useless and frankly sociopathic, Ayoola's first thought after each of these mishaps is to call her older sibling to come and clean up her mess. Literally.

The book is fast-paced, gloriously daft, and tremendous fun. I found myself laughing out loud, both at the witty prose and the sheer audaciousness of the characters. It also provides a glimpse into modern, upperclass Nigerian society, which is as obsessed with social class as any episode of Downton Abbey. 

The chapters are short, which helps maintain the book's rapid pace. Braithwaite is a poet, and you can see that influence in her careful attention to word choice. She also peppers the dialogue with Yaruba phrases, skillfully balancing the addition of a language perhaps unfamiliar to many of her readers to add flavour, without making it inaccessible. It is a great example of what the author Leye Adenle refers to as 'Sunshine Noir'.

As a bonus, there is also a short interview with the writer at the end of the paperback (I'm afraid I can't comment on whether it is in the electronic version). I don't know what Braithwaite's future plans are, but I fully recommend this book and will be keen to see what she produces next!